Thailand's participation at Expo 67 was composed of 2 main structures:
The first was a replica of an ornate 18th century Buddhist shrine. A pagoda-like roof was covered in gilded tiles and crowned by a tall, delicate spire. Each tile had a tiny bell suspended from it, meant to tinkle in the breeze and ward of evil spirits.
Inside the shrine, the atmosphere was tranquil. Tall, stained glass windows were flanked by sumptuous red draperies. Religious items, temple furniture, traditional costumes and statues were on display in this area. A magnificent altar of carved wood, adorned by precious stones, was located towards the rear of the shrine. Large pewter vases on the altar held 2 elephant tusks forming an arch from which was suspended a brass gong.
The second structure of the pavilion was also of traditional architecture, yet considerably larger than the former. It housed a long hall under its gabled roof, flanked on each end by smaller versions of the intricate Buddhist shrine top. As with the temple, red, green and blue lacquer adorned the exterior, with motifs inspired by mythological symbols.
Despite the traditional outward appearance, the second building's interior was a tribute to modern Thailand. Remarkable works of craftsmanship were on display: decorative objects such as world-renowned Thai ceramics and porcelains, bronze and silverware, exquisite silks, teak furniture, figurines and costumed dolls, as well as exotic jewelry and precious gems.
An area devoted to export products showed different kinds of rice, tapioca and corn, as well as samples of rubber, minerals, and forest products.
The pavilion's boutique offered visitors handmade jewelry, traditional dolls, ceramics, and a vast assortment of lavish Thai silks.
In an adjacent pool outside the pavilion floated a replica of a Royal Barge. These vessels were traditionally used in processions of royal and religious significance.
The Thai pavilion, as photographed by Lillian Seymour.
images: (1-2) flickr.com
(3-5-7) Bill Dutfield
(4) gorillasdontblog.blogspot.com
(6-11) personal collection
(9-10) the Lillian Seymour collection
(12-13) courtesy DC Hillier
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